Posts Tagged ‘Titan books’

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Aside from reading my son his collection of The Little Red Train books by Benedict Blaithwayt (which are excellent for toddlers), the Dark Cities anthology has me equally enthralled.

Grit by Jonathan Maberry features that city within a city; the housing estates of the UK or the projects of the USA. The kind of places that have their own ecosystems and rules, where the locals implicitly understand the unique laws they live by. Working amongst that grim collective of hustlers, addicts, survivors and criminals is the protagonist; ostensibly a bounty hunter for two enigmatic bondsmen yet also a man who deals in things on the other side, both of the law and the natural.

Big, ugly and covered in tattoos, he’s a man who is capable of reaching through the veil. Communicating with ghosts and uncovering the identities of their murderers, he can understand the pain of the lost and wandering souls. Tasked with just such a job, Grit is a rough and violent episode into a place best avoided.

The horror contained in Simon R. Green’s Happy Forever is an enigmatic one. A thief of unusual and exceptional items is contacted by the father of his ex-girlfriend a decade after her disappearance. Though he claims to be free of any attachments, even to his own name, this request immediately draws him in as he seeks to save her and thereby show his true feelings.

Her ‘prison’ is an unassuming suburban house where time has stopped. The thief appears to be in control and on route to fulfilling his task. The darkness of this tale comes in the last few paragraphs and leaves and unsettling feeling.

Paul Tremblay does an amazing trade in dealing out dualities; stories full of more questions than answers and answers with no clear meanings. The Society of The Monsterhood is told from the perspective of a neighbourhood regular, witnessing events from his front porch. Four kid are given the opportunity to attend a good school on a scholarship. This immediately makes them a target for the other residents in the hood where they live.

Verbal and physical abuse ensues. The kids become teens and then something changes. They issue a threat, one which has dire consequences for those who don’t leave the four of them alone. It’s here that Paul Tremblay interjects uncertainty, giving the story numerous facets and a heavy degree of weirdness.

Review copy

Published by Titan books

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Helen Marshall’s The Way She Is With Strangers is a wonderfully poetic, musically written short story. It’s a strange but engaging tale of Mercy, a women who has moved away from her place of birth to a new city and a new existence where her daughter regularly visits and where she seems to have found happiness amidst the difference. But, as the story progresses the rhythm alters. Oddities occur and suddenly strange clues are left to be unthreaded.

The Way She is With Strangers is strangely beautiful. Pathways and boundaries, maps and geographies all hint at something beyond as Mercy tries to help those looking to find a way out of the city; a way only ghosts can walk. It’s a wonderful story.

Coming at the idea of a ghost story from the polar opposite direction, Good Night, Prison Kings by Cherie Priest is a grim and gritty tale of vengeance. The story is a slowly revealed by the protagonist, Holly, as she finds herself remembering the circumstances of her current existence. Sat in a mundane interview, Holly realises that she is dead and that her interviewer is offering her the chance to conclude some unfinished business.

That ‘business’ turns out to be the opportunity to avenge her own death. To bring retribution to those who have wronged her and the elderly family members she was looking after. Holly turns out to be a violent conduit for justice but it’s the targets of her anger that add such a grim taint to the tale.

What I’ve Always Done by Amber Benson is an engaging yet odd snap shot of a strange life. Told with few details but in with exceptional style, this is one of those short stories that has the immense ability to pull the reader into a world using but a few sentences. It’s violent and dark, hitting the brief perfectly.

Review copy
Published by Titan Books

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The strap line for this anthology reads ‘all-new masterpieces of urban terror’ and with an impressive list of authors to boot, it’s a collection I’ve been keen to read. Premised on the idea of the city, each writer has scraped back the veneer of metropolitan living to reveal the horror lying beneath.

First up and making an immediate impression was Scott Smith’s The Dogs. A mix of supernatural and bizzare properties, it’s the kind of tale where once it’s stall has been laid out you kind of know where it’s going. But, that doesn’t diminish its power or ability to unsettle. A young women who enjoys meeting men on Craigslist, suddenly finds herself in a situation that is
only ever going to end badly. However, it’s not the normal ‘met a guy who turned out to be a serial killer’ type bad; somehow it’s worse yet also pleasantly mundane. A mysteriously magical flat; murderous, talking canines; and the choice between killing or being killed. Superbly written and brilliantly paced, The Dogs is understated horror at its finest.

In Stone by Tim Lebbon definitely added some welcome chills to this week’s epic heatwave. It’s a story that manages to do so much with mere suggestions and hints rather than outright horror but the effect is exceptional. An insomniac narrator, troubled by the death of his closest friend, begins walking the streets of his home city in the early morning hours. During these meandering wanderings, he sees a woman strolling down alleyways and sidestreets, and he follows her. Curiosity peeked because she seems so out of place, so elsewhere, the woman disappears.

It’s a mystery that leaves the narrator unsettled and he investigates the spot again the next day. However, what he finds inexplicably intrigues yet deeply frightens him. Soon he begins seeing signs of further offkilter happenings around the city and can’t help but look for more. In Stone never explicitly shocks but the creeping sensation it produces is impressive.

Both stories have found intriguing interpretations of the brief for this anthology and I’m definitely hooked. Featuring so many good writers, such as Jonathon Maberry, Paul Tremblay, Ramsey Campbell and others, I’ll be posting up more reviews soon.

Review copy
Published by Titan Books

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I read Kieran Shea’s debut and it was a definite hit. Similarly, Off Rock has all the panache, creativity and excitement but this time packaged up as a classic crime caper set in a far future, space mining facility. There’s a good natured vibe to the book that keeps the fun ratcheted up high even when the action truly kicks off.

Jaded and complacent, Jimmy Vik, is fairly set in his ways, working for various mining companies that exploit the material rich outer reaches of space. He’s bounced around, lived the maxim of ‘work hard, play hard’ and is now getting to that stage in life where he’s stuck with his lot and doesn’t care one way or the other. That is until he discovers a seam of gold, missed by the company scans and ripe for the taking. To Jimmy, it’s the chance to start everything afresh regardless of the very severe and life threatening punishment that comes with appropriating the mining company’s property.

It sets in motion a series of events, bluffs and double crosses as Jimmy is stiffed by his accomplice, Jock. An indebted gambler with a huge criminal cartel on his case, Jock takes little time stitching up Jimmy. Off Rock has, to my mind, the feel of the Ocean’s Eleven movie as each actor brings to the story another complication. Setting up the main heist story for the first half of the book, things quickly unravel as Jock puts his own plan in motion. Sure enough, Jock the fixer is greasing wheels and doing deals. But, the cartel have eyes on him and are determined to get the account settled or, more accurately, terminated. Add in to the mix Jimmy’s ex-girlfriend and supervisor, who is far from stupid and tough to boot, the gold has gone from a sure thing to a hard sell.

Off Rock is, from start to finish, a brilliantly fun read. It hits all the right notes of a caper as everyone scrambles to get their slice of the pie. Jimmy, as hard as he tries, continues to blunder into obstacles, and it looks like he’ll be lucky to get out alive. Off Rock is a strikingly impressive feat of writing from the characters and banter to the plot and conclusion. When all is said and done, this is a book that will keep you thoroughly entertained and leave you with a smile on your face.

Review copy
Published by Titan Books

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I’m a fan of all different flavours of science fiction and fantasy but there is something to be said for plausibility that truly gives a novel weight. Worldbuilding that recognises an internal logic is a praiseworthy quality and, though there might be aliens and space travel and all things fantastic, plausible actions and actors can often take a book from being good to being great. Netherspace by Andrew Lane and Nigel Foster does exactly that.

A ensemble cast of characters set in a future where multiple alien species have made contact with Earth and traded unimaginably sophisticated technology, Netherspace never relinquishes the very human characteristics that gives this book its depth. The two main protagonists, ex-army sniper and current assassin Kara and celebrated, rebellious artist Marc, make an interesting duo as they are coerced into a mission of epic proportions. Their bond, produced through a kind of mind-share technology, allows each to understand the other intricately and work together in unison; an important ability when dealing with aliens with whom communication is basically impossible.

Trade has occurred and humans have been gifted the means to travel huge distances across the universe by using Netherspace. It’s a way of slipping through realspace but it comes at a cost – the aliens demand a human life for every Netherspace drive. Kara and Marc, though ostensibly sent out to rescue a kidnapped group of colonists, are there to find out why. Why a human life for a drive? Where does the technology really derive from? And, most importantly, what is happening in Netherspace?

The story is set between the two groups, the colonists and the rescue team, led by Marc, Kara and pre-cog psychic Tse. Both groups must struggle to understand the aliens and Netherspace whilst simultaneously trying not to impose human ideas, emotions and motivations upon them. It’s a concept reiterated throughout the book: an alien is completely unknowable and there is no common ground upon which to base communications. Bizarre and frustrating, each group must still find their way towards comprehending the situation.

Separated by time and space, as the two groups near each other, I suddenly realised there was a tension growing in the plot that I hadn’t truly recognised. It grows into a mystery that has far reaching implications and, as the start of a new series, sets up some very interesting problems for the next book to resolve. Netherspace is a complex and considered book which has, at its core, a believable logic, sensible and real actors, and a mystery that will leave you waiting for the sequel.

Review copy
Published by Titan Books

The authors of Netherspace will post a guest blog on the 26th May all about space travel, so be sure to check it out.

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Future Space Travel

Let’s assume that we’re using a drive that doesn’t rely on controlled explosions. Make the control mechanisms as complex and high tech as you like, but you still only get forward momentum by making something go bang. So what does that leave us? Space sails? Nice idea – and originally a science fiction one (sigh) – but impractical. Space isn’t empty, a cloud of dust could wreak havoc and the sail would have to be so large it could take days to reach the damage. The sail enthusiasts have said repair-robots. When there’s a technical problem, someone always says robots. When there’s sexy but unsound idea – like a space sail – the human reaction is to add more and more tech to try and make it work. Humanity is programmed never to admit mistakes.
​NASA’s said to be working on two drives: “Alcubierre”, that distorts space; and the “EM”, that provides a better, stronger form of propulsion by using microwaves reflecting back and forth to (somehow) produce an asymmetric forward impulse. Which is good because the idea that humanity will be confined to the Solar System forever is just so wrong it hurts. Surely the universe couldn’t be so cruel? But this does open up a major problem: where do we build whatever craft will take us to the stars? Or even to the outer planets? Do we set up a vast manufacturing facility on the moon? Or conveniently discover anti-gravity (after figuring out what gravity actually is, as opposed to what it does) so we can build on Earth then float the craft into space?

​Actually we do neither. Nor do we set up a Navy Yard (sorry, Star Trek) in Earth orbit (or, as implausibly in J.J.Abrams’s reboot, somewhere in Kansas – how did they get the Enterprise up into space from there? And why?) Aside from the technical problems – did someone say ‘robots’? – mining and transporting the necessary raw materials requires machines and space craft so huge that building them would take years and consume most of our natural resources.

​The solution is hinted at in Netherspace. It’s not totally original, the late and wonderful Iain M. Banks began the idea, but we tarted it up some.

​Turn asteroids into spacecraft.
​Hollow them out, fix up living quarters, add a space drive – the Alcubierre space warp or NASA’s EMdrive – and away you go, protected from radiation and collisions by several hundred feet of rock. Because spacecraft do not need to be streamlined. They do not have to look pretty. All they have to do is take humans safely from point a to b (and we are reminded of the old cartoon in which a middle-aged businessman is talking to a car salesman, saying: “I want something that will get me from a. to c. without b. knowing.”) Okay, you may have to smooth them out to get a sensible centre of gravity. Spin them to increase that gravity. Still far, far easier than trying to build a cruise liner in space. And there are hundreds of thousands of them, all shapes and sizes, parked up in orbit and not that far from this very planet. Bit like a used car lot, really.

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The wonderful people at Titan Books have kindly including the BookBeard in a blog tour from the authors of Netherspace. So, expect a review (I’ve just finished the book today) shortly and an awesome guest blog post from authors Andrew Lane and Nigel Foster.

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Ren Warom’s Escapology is an amazing stylistic amalgamation of cyberpunk and anime, told at breakneck speed. As debut novels go, this is a extremely polished, hugely inventive and seriously intense rollercoaster ride for the imagination. Starting off at full throttle, there’s a lot going on in Escapology including an intriguing plot, stunning worldbuilding and a cast of complex, individual characters.

In a future where most of humanity resides in orbiting hubs above the Earth, where the ocean has overrun the land and where humanity coexists in real life and in the ‘slip’, a virtuality just as important as reality, the Gung is of central importance to the planet. It’s populated by a mix of shady underworld gangsters and Fails, and the rich and those termed Pass, useful members of society with a clean psychological evaluation. Escapology follows Shock, a Haunt and one of the best at hacking the Slip for information, and Amiga, a Cleaner for one of the more powerful gangsters ruling the Gung.

It’s here that things intersect so brilliantly; the action is all-out anime violence, both physical and virtual whilst the worldbuilding has strong roots in the cyberpunk genre. Shock is a well considered and very complicated character whose history shapes so much of the story. Through him we get to understand what the Slip is and how it runs, what a Haunt is capable of along along with the myriad hustlers, hackers and collectives that work in the virtual ocean of information, but, most importantly, the importance of each person’s avatar. Amiga, on the other hand, offers us a different look at the underworld, the physical one where gangsters and criminals run operations without mercy. Life is cheap and the Gung is a city of mile high skyscrapers, synthetic food, and a scrabbling, desperate population.

So much of Escapology is about power and control and, in the end, it boils down to Shock. The most beaten down, drug addled, cowardly victim imaginable but the toughest, hardiest and almost noble character out there; forced into a mission to break that which contains the Slip his courage and guile are impressive. Both he and Amiga are the downtrodden, each reacting differently to the adversity which respectively shaped them into introverted hacker and unstoppable killer. As their stories intertwine both must open themselves up to those things they’d turned their backs on; power and control, then, is not wielded over others but is about finding the keys to a true self.

Atmospheric writing, brutal action and the stunning imaginative visualisations of a broken world all wrapped up in an innovative and intriguing future history. Escapology has so much to offer as the characters develop under the pressure of the plot. I’ve hardly scratched the surface with this review but, believe me, if you are a fan of cyberpunk or just impressive sci-fi, this is a definite winner.

Review copy
Published by Titan Books

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This is quite a difficult book to review, mainly for fear of giving away what makes it so brutal. By that, I mean psychologically brutal because, whilst there is some physical shock value, it’s the emotional terror pervading the novel that makes it so horrifying. Yet, it’s also a complex piece of work, full of dual meanings and self-aware references all told by an unreliable narrator. Her unreliability is cleverly revealed to be more of a factor as the book goes on…and this is where things get complicated.

If you’re a fan of horror, you should read this novel. In my limited experience, Paul Tremblay is a great exponent of the genre but, beyond that, he’s also a clearly talented writer. This is a very smart book for a number of reasons (many of which deserve discussion but – spoilers!).

A Head Full of Ghosts refers both to the idea of supernatural possession central to the plot but also to our narrator, Merry, and how pop culture affects her perspective. Within the book there are numerous references to horror fiction and film and A Head Full of Ghosts takes on the sense of a meta-fiction.

The book explores how Merry and her family deal with the ‘apparent’ possession of her elder sister Marjorie. Dad had lost his job and begins to rely heavily on his Catholic faith; Mum seems at a loss, seeking solace in wine and cigarettes. Merry is relating all of this fifteen years after the fact (the first sense of unreliability) and was only 8-years old at the time (the second). Somehow, and for financial reasons, a reality show producer makes an unrefusable offer to the floundering parents and so begins a shocking TV series.

Questions of exploitation aside, there is also the larger problem of whether 14-year old Marjorie is ‘possessed’ or just descending into schizophrenic madness. The interplay within the narration between memory and re-remembered fact from the TV show (the third idea of unreliability) begins to break to the surface as Merry relates her story to a writer tasked with producing a book on what actually happened. Fact and fiction blur, mingled with cultural references and other creative works.

The tension at play is palpable throughout the novel as each family member is seen slowly unraveling under the pressure of the cameras, their own position toward Marjorie and to how it is affecting each in turn. It’s a bizarre and scary feedback loop where the truth has no solid ground on which to stand.

The conclusion of A Head Full of Ghosts is shocking. It’s there all the time, creeping around in the narrative and you know something is going to happen. There’s so many unsettling properties to the characters and such clever storytelling that this is truly a great horror novel. That fact that Paul Tremblay has added bonus essays and reading list addendum only makes him a better author in my opinion.

Review copy
Published by Titan Books

Author of the action packed Into The Guns William C Dietz, has kindly written a guest blog explaining how his latest novel came to be.

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William C. Dietz
October 24, 2016

Birth Of A New Series

Where do my stories come from? In my case a new series is usually inspired by something I observe in the world around me. And the America Rising series was no different. While reading an article I noticed that all of America’s strategic petroleum reserves were located in the south. That was sufficient to remind me of the American civil war, and the fact that the south not only continues to be a bastion of conservative thought, but home to many libertarians. And according to the Libertarian Party Platform, “…we seek a world of liberty; a world in which all individuals are sovereign over their own lives and no one is forced to sacrifice his or her values for the benefit of others.”

The first part of that sentence sounds okay, to me at least, but the last five words are troubling. They could be interpreted to mean that individuals are in no way responsible for helping others if they don’t want to especially via the mechanism of government. To my mind that suggests a Darwinian “survival of the fittest” attitude toward society in which every man and woman’s first obligation is to take care of themselves, and to hell with the elderly, the sick and the poor.

What if something terrible happened? I wondered. What if a swarm of meteors devastated much of the Earth’s surface, and threw so much particulate matter up into the air, that the amount of sunlight reaching the planet’s surface was severely reduced? Crops would fail, people would starve, and a great deal of civil unrest would result.

Libertarians have never been able to compete effectively with the two major parties in the United States, but if society fell apart perhaps they could I decided, especially in the south. And that, as I mentioned earlier, is where all of the country’s petroleum reserves are located. Things came together in my mind, and boom! I was off and running. Into The Guns is the first novel in the America Rising trilogy.

Having created a dystopian scenario the next step was to populate it with characters both good and bad. Samuel T. Sloan is the Secretary of Energy when the meteors strike—and is on an official trip to Mexico. Due to the chaos it takes weeks for Sloan to make it back to the U.S. where forces working for the libertarian oligarchs intercept Sloan and lock him up.

Meanwhile army lieutenant Robin Macintyre is escorting a column of civilian refugees across a mountain pass, when a secondary disaster cuts her unit off from the military chain of command, and forces “Mac” to fend for herself.

Eventually both characters will play important roles in the fight to reestablish the America that was—and will meet during a desperate battle deep inside of enemy territory.
Into The Guns is available online and in bookstores now.

For more about me and my fiction please visit williamcdietz.com. You can find me on Facebook at: http://www.facebook.com/williamcdietz and you can follow me on Twitter: William C. Dietz @wcdietz