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Adrian Tchaikovsky describes this collection as one focusing on the peace between conflicts in his larger stories. If this is what his world is like when it’s not at war, then it’s a very frightening place. Fallen Heroes epitomises that idea; a tale of a minor skirmish between competing gangsters, or ‘Fiefs’ as they are called, over some territory and the tenement housing within.

A young fly-kinden, tired of how everyone around him has capitulated to a higher power, and enamoured by the idea of heroic, free-spirited warriors, sets out to find a champion to help protect his home. However, he finds both more and less than he bargained for. It’s a classic, gritty idea as romantic notions are dashed by hard realities; personal ‘heroes’ are knocked from their pedestal and unlikely protectors are more fearsome and cold blooded than they are valiant. Tough truths and a fantastically brutal western-esque feel gives Fallen Heroes real weight for such a short story.

There’s little let up in the grit department in The Price of Salt where, just like Fallen Heroes, the reader is introduced to the history of certain characters from the novels. After capturing, killing and decapitating a man with a decent bounty on his head, four mercenary rogues find themselves caught up in some bad business, far away from where and what they know. The head, cleverly pickled in salt, has been spirited away by a young lady, much to the chargrin of the nominal leader of this grim group. It’s all a ruse, however.

She doesn’t want the head; she wants their prowess as warriors and killers. Once again, this is a great example of how the author has taken the idea of insect-kinden and used it for a properly innovative basis of a story. As their numbers swell out on the desolate steepes, the Grasshopper-kinden become susceptible to the Grand Moon; an event as inexplicable as it is unpredictable. As the moon rises, those with the Art turn away from their normal, calm and peaceful behaviour into a wild, violent Locust mob.

What ensues is a fight for survival as the four mercenaries are trapped by the mad, mindless, Moon struck kinden. It’s as brutal and fantastic as it sounds.

Back in Helleron, the same city where Fallen Heroes takes place, the story of just how far a lost, alcoholic, Wasp can fall unfolds. The city, teeming with factories and tenements, rich and poor, dives and fine establishments, is a machine that grinds everyone down. It’s a realisation that Varmen is trying to drown in drink. A former elite warrior for the Empire, Varmen is now a penniless drunk; no less dangerous nor violent but near impossible to employ. His pride remains, driving him deeper into debt as he cannot find it in himself to lower his expectations.

In the end, he has no choice. Debt forces him toward avenues he wishes to avoid but fate, and a drug addled roommate, conspire otherwise. The Last Ironclad is a redemption story of sorts for though Varmen has fallen as low as is possible, he finds that thing within him to escape. Rather than be mere grist to the wheel, the Wasp fights and, though he is an obsolete soldier in the eyes of the Empire, that which made him an elite warrior remains.

This collection has really impressed upon me just how good the Shadow of the Apt novels must be. Even though I’m not familiar with the lore, these stories are exciting reads, offering windows into an intriguing world of fantasy.

Review copy
Published by NewCon Press

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I haven’t read any of Adrian Tchaikovsky’s The Shadows of the Apt and, now, I’m really kicking myself for not exploring the series earlier. The premise behind the worldbuilding is fantastic as clans of different ‘insect-kinden’ clash in a complex, politically fraught realm. In this collection of short stories, the author explores ideas outside of warfare – no less dangerous and no less intriguing for it.

As the opening gambit in this collection, Loyalties is a brilliant slice of backstory and character development. The protagonist of the tale, Balkus, might be more of a side player in the bigger novels but, here, we are given an intriguing look into just who he is. A set piece that shows the complexity of the world Tchaikovsky has built, the gritty, hardened mercenary and the naive, in-training, young heiress combination is turned on its head when Balkus realises he’s been played on a number of fronts. Though I’ve not read Shadow of the Apt there’s enough here to truly grip a reader’s interest (and encourage them to read more of Tchaikovsky’s work). The writing is exemplary and the world is so clearly and cleverly defined it’s easy to find a way in and enjoy the story. There’s an added bonus as the author includes a little post-script for each story, explaining its origins, which I found most compelling.

In Bones more of the world and setting is laid out by exploring something of its past development. Tchaikovsky gives insights into the ideas of the Art that humans use and how it manifests in unison with different types of insect-kinden. Seeing how each clan and its association to types, such as spider or fly, operates in the world is fascinating, especially as a first time reader to his work. At the heart of this story lies dark politics and a hierarchy determined to maintain control whether that be physically or intellectually. There’s a darkness bound to hiding knowledge and keeping it secreted for the “greater good” and in Bones we get to see first-hand those who wish to perpetrate such benevolent policing upon a world.

Whilst I am new to The Shadows of the Apt realm, these windows into that world have definitely caught my imagination. Tchaikovsky is, obviously, a great writer and I really enjoy reading short stories by authors who have created such complete fantasies as the depth and quality of the work really comes through in spades. More from this volume to come.

Review copy
Published by NewCon Press

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Ren Warom’s Escapology is an amazing stylistic amalgamation of cyberpunk and anime, told at breakneck speed. As debut novels go, this is a extremely polished, hugely inventive and seriously intense rollercoaster ride for the imagination. Starting off at full throttle, there’s a lot going on in Escapology including an intriguing plot, stunning worldbuilding and a cast of complex, individual characters.

In a future where most of humanity resides in orbiting hubs above the Earth, where the ocean has overrun the land and where humanity coexists in real life and in the ‘slip’, a virtuality just as important as reality, the Gung is of central importance to the planet. It’s populated by a mix of shady underworld gangsters and Fails, and the rich and those termed Pass, useful members of society with a clean psychological evaluation. Escapology follows Shock, a Haunt and one of the best at hacking the Slip for information, and Amiga, a Cleaner for one of the more powerful gangsters ruling the Gung.

It’s here that things intersect so brilliantly; the action is all-out anime violence, both physical and virtual whilst the worldbuilding has strong roots in the cyberpunk genre. Shock is a well considered and very complicated character whose history shapes so much of the story. Through him we get to understand what the Slip is and how it runs, what a Haunt is capable of along along with the myriad hustlers, hackers and collectives that work in the virtual ocean of information, but, most importantly, the importance of each person’s avatar. Amiga, on the other hand, offers us a different look at the underworld, the physical one where gangsters and criminals run operations without mercy. Life is cheap and the Gung is a city of mile high skyscrapers, synthetic food, and a scrabbling, desperate population.

So much of Escapology is about power and control and, in the end, it boils down to Shock. The most beaten down, drug addled, cowardly victim imaginable but the toughest, hardiest and almost noble character out there; forced into a mission to break that which contains the Slip his courage and guile are impressive. Both he and Amiga are the downtrodden, each reacting differently to the adversity which respectively shaped them into introverted hacker and unstoppable killer. As their stories intertwine both must open themselves up to those things they’d turned their backs on; power and control, then, is not wielded over others but is about finding the keys to a true self.

Atmospheric writing, brutal action and the stunning imaginative visualisations of a broken world all wrapped up in an innovative and intriguing future history. Escapology has so much to offer as the characters develop under the pressure of the plot. I’ve hardly scratched the surface with this review but, believe me, if you are a fan of cyberpunk or just impressive sci-fi, this is a definite winner.

Review copy
Published by Titan Books

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I felt the need to scratch that post-apocalypse zombie itch (again) and remembered I had Monster Island sitting on my bookshelves. Unread. Published in 2006, David Wellington was definitely one of those authors at the forefront of the zombie resurgence but I was happily surprised by what I discovered as I read this fantastic novel.

Kicking off by introducing one of the main protagonists, Dekalb, a UN worker caught up by the apocalypse in East Africa, Monster Island continues to make interesting and inventive turns and twists throughout. Under the ‘protection’ of a Somali warlord, Dekalb is offered the opportunity to keep his daughter safe; all he need do is find enough HIV/AIDS medication to keep the warlord alive. Unfortunately, it’s a far from easy task and, along with a squad of teenage girl soldiers, Dekalb is soon expanding his search all the way to New York.

Here, things truly turn. Dekalb meets our main antagonist Gary. A former medical student and self-made undead, Gary realised that zombification was inevitable but, if done on purpose and with some thought, might result in reanimation without total brain damage and, therefore, loss of personality. However, Gary is still a zombie and his hunger, and situation, can’t be overcome. New York is now the battleground as Dekalb and his girl warriors strive to survive and complete their mission against teeming odds.

What I found interesting is that David Wellington uses the zombie genre as a fantasy setting. It allows him to introduce ideas and characters way outside of the accepted apocalypse tropes. Whilst we still have armed survivors making a stand, military assets being deployed and zombie hordes, others join the fray including a long-dead Scottish Druid with magical powers. It’s a heady mix of fantastical undead proportions and makes for a tumultuous landscape against which Dekalb tries to do the right thing whilst trying to get back to his own daughter.

In the end, Monster Island retains its brutality. It is both fantasy and zombie apocalypse and though there are sparks of humour and touches of character introspection, the conclusion is quite terrible in its honesty. Like all good zombie fiction, Monster Island isn’t just about cracking skulls and drinking toilet water to stay alive; it’s about the cost of the choices made in the desperation to survive that reveals so much about humanity.

My copy
Published by Snowbooks Ltd

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Alex Lamb’s debut novel, Roboteer, is a fascinating read; big worldbuilding, big ideas and what feels to be the start of a new voice in space opera/hard science fiction. Set in a far future where Earth has been united under a pseudo-religious, political dictatorship whose aim is to subjugate humanities colonies on other planets and in other star systems, the conflict rests on Earth’s scarcity against the colonies technological superiority. It’s a manufactured war: the colonies are defending themselves whilst Earth promotes bizzare, almost racist ideologies.

Told through the eyes of three different characters, we get to see much of Earth’s political elite as well as the colony homeworld Galatea. Will Kuno-Monet is the eponymous Roboteer, a genetically modified human, designed to control and understand robots and computer systems; Ira Baron-Lecke is a Galatean starship captain who heads up covert missions into enemy territory; Gustav Ulanu is an Earther, a general but a scientist first, and one who has discovered ancient alien technologies. It is with Gustav that the story hinges for his discovery unlocks a set of parameters that will change the whole of humanity’s fate.

Soon both factions are vying for control of the alien relics but it is Will who makes the first meaningful contact. The revelations he is exposed to change everything he knows about his race, the universe and humanity’s place within it all. Yet, these aliens (or rather those behind the ruins) are testing humans and the consequences are dire. So begins an epic journey as Will must convince not only his crew mates but also his enemies that the ancient artefacts they have discovered are lures; the survival of humanity rests on how they proceed to use that technology – whether for warfare or for advancement.

It’s a great concept and there are some interesting discussions about what makes us human, what those limits might be where technology and modification is concerned, and how blind, unquestioning ideology does not constitute knowledge. There’s really little concern that Will and his crew won’t succeed but the journey there is fascinating. Amazing ancient alien ruins, complex political landscapes and intense space warfare abound, along with some unreliable yet semi-altruistic extraterrestrial intelligence. Alex Lamb achieves both good science and good fiction, creating big, believable sci-fi.

A brilliant cast of actors and a superbly crafted set of futuristic ideas makes Roboteer a highly enjoyable read. The worldbuilding and creations the author explores are exceptional and my only caveat was that we didn’t get to look further into the Earth he sketches out nor some of the more interesting concepts behind the colonies. But, as the start of a trilogy, here’s hoping.

Review copy
Published by Gollancz

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If you’ve ever read any of Gavin G. Smith’s work before, you’ll understand why his latest offering jumped to the top of the reading pile. First, I’m going to give you the blurb that hooked me and then try to review the book without giving too much away..

1987, THE HEIGHT OF THE COLD WAR. For Captain Vadim Scorlenski and the rest of the 15th Spetsnaz Brigade, being scrambled to unfamiliar territory at no notice, without a brief or proper equipment, is more or less expected; but even by his standards, their mission to one of the United States’ busiest cities stinks…

World War III was over in a matter of hours, and Vadim and most of his squad are dead, but not done. What’s happened to them, and to millions of civilians around the world, goes beyond any war crime; and Vadim and his team – Skull, Mongol, Farm Boy, Princess, Gulag, the Fräulein and New Boy – won’t rest until they’ve seen justice done.

Reading the synopsis reminded me of all those 1980s survivalist/post-apocalyptic pulp novels I read as a kid. I’m not going to lie, it excited me and the opening gambit certainly lived up to expectations. Gavin G. Smith knows his way around the fast paced, ballet of violence that an action novel requires. Special Purposes: First Strike Weapon is wild. Adrenaline fuelled fire fights against gut wrenching odds are packed into a story that manages to remain grounded and considered despite the full-bore craziness of a post-apocalyptic background.

The squad led by the protagonist Vadim are a fantastic cast and the banter and comraderie is brilliantly wrought. The fact that Smith is able to include some moral philosophising amongst the blood bath battles is impressive, adding yet another layer. It’s the best of survivalist pulp fiction added to a strong plot and exceptional writing.

Special Purposes: First Strike Weapon is pure, unapologetic, full-throttle, action packed awesomeness. Beginning to end, the atmospheric ride is an absolute firestorm. There’s so much more to say but I don’t want to spoil anything too much. Safe to say, Vadim and his squad end up as both enemy and protector in a world gone mad. Plus, there’s the all out slaughter of a group of racist, neo-nazi, war re-enactors which is just the icing on a brutal cake of an exceptional book. Obviously, the author had too much fun and I hope, somehow, he revisits this world again.

Review copy
Published by Abaddon Books

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Alastair Reynolds’ Slow Bullets is a novella of epic proportions. Though his earlier books were hard sci-fi in every sense, this work has a fairly simple premise and is written using a straightforward first-person narrative. However, in no way does this stop the novella from being full of intriguing ideas or a setting both sublime and awe inspiring. It’s as though Reynolds’ writing prowess is such that he is able to delineate his work, sketching complex worlds without resorting to complicated machinations.

Because, what begins as a tale of revenge, albeit in a setting discombobulating for our protagonists, evolves into something disconcertingly tangled. After a ceasefire is announced, bringing a halt to a vast and terrible war, Scur (our narrator) is captured and subjected to a terrible torture. Left for dead, she continues to fight for survival. Yet, when she wakes it is on a huge spaceship; she doesn’t know how she got there or why. But, quickly, it becomes apparent that the ship is malfunctioning and its cargo of passengers are still divided by the conflict.

Scur takes control of the situation in the only way she knows the soldiers will understand, bringing about a tense sort of peace. Soon, she and her companion, Prad, a technician on the ship, discover more worrying truths. The ship is slowly degrading, losing its functions and memory yet, more importantly, is the fact that they have been adrift in space for centuries. Everything they knew is gone. Unachored, this transport full of soldiers and civilians, both good and bad, must find a way to survive but also save the history, knowledge and culture of their lost worlds.

Amidst all this, Scur finds her tormentor. And, it is here that the narrative begins to unravel, revealing differing perspectives against the backdrop of a dying spaceship, lost memories and a civilisation destroyed by an unimaginable enemy. Slow Bullets questions that which anchors identity, whether personal or cultural, producing an atmospheric consideration of the human condition. Once again, Alastair Reynolds has produced a fascinating work of fiction that grips the imagination.

Review copy
Published by Gollancz

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I was pleasantly surprised by Rogue One for a number of reasons. Set a decade or so after the events of Catalyst, this latest offering in the Star Wars universe is, somehow, unique whilst simultaneously dovetailing into the events of A New Hope (what we older folk would know as Star Wars). It’s exceptionally well put together and, in no way, feels contrived. What it does is create a brilliant ensemble cast of characters all the while detailing their struggles against the threat of the Empire.

When I say struggles, I mean truly terrible hardships, crushing personal loss and unflinching sacrifice. And when I say threat, I mean a vast, cruelly efficient machine prepared to destroy all opposition. Whilst Star Wars may be considered as a simple dichotomy between good and evil, Rogue One looks into the implications of this conflict, throwing up some interesting reflections on an insurgent rebellion trying to combat a larger, better supplied and politically homogenous force.

I digress though. Rogue One continues the story of the manipulated genius Galen Erso and his tormentor, Orson Krennic. Recaptured and widowed, Galen is forced into completing his work on Krennic’s super weapon. However, the scientist had the foresight to set in place safety procedures for his daughter Jyn. It is through Jyn that we discover more about the universe at large, the rebellion and those fighting against the Empire. Effectively orphaned, she is saved by Saw Gerrera, an uncompromising freedom fighter; its an upbringing that leaves her a fierce, hardened survivor.

Yet, though she has tried to lose herself, hiding away from her past and the rebellion, her importance sets her on a course straight to the heart of the Death Star. Saved from prison, Jyn is sent on a mission to talk to Saw in the hope that he will help the rebels locate Galen Erso. Accompanying her is Cassian Andor, a spy and ardent rebel, along with K-2, a reprogrammed Imperial droid. As soon as the companions reach Saw’s home world, Jedha, things really kick off.

Erso had sent a young pilot, an Imperial deserter, to Saw with a message that he had sabotaged the Death Star. But, Saw has fallen out with the rebel leaders whilst Jyn is no fan of either parties. However, the Empire is hot on their heels and soon Jyn, Cassian along with the pilot, Bohdi, as well as two Guardiams of the Whills, Chirrut and Baze, are fighting for their lives. It is this nucleus that forms Rogue One; from faith, hatred, need and vengeance, hope for a better future is forged.

Jyn and her allies are unable to convince the fractured and complex union of the rebellion that her father has secreted a way for them to defeat the Death Star amongst its schematics and plans. They take fate into their own hands and embark on mission to retrieve the plans and give the universe a chance to free itself from the tyranny of the Empire. Each character has their own motivations, each makes their own choices and it’s a frantic conclusion to an accomplished story.

This isn’t simple sci-fi in my book; it’s gritty and heartfelt. Rogue One shows just how brave the rebels were and just what the Death Star meant for the universe. It’s about sacrifice, redemption and belief against all odds, and it’s a brilliant slice of Star Wars action adventure.

Review copy
Published by Century

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February has been a busy month with the added bonus of a serious ramp up in my grappling and fitness training. So, life equals hectic; reading equals slow progress. However, that has allowed me to thoroughly enjoy and consider the latest book for review.

Stephen Baxter clearly knows his way around the work of H.G. Wells. From the alliteration of the title to the structure of the novel, The Massacre of Mankind is a worthy and excellent sequel to The War of the Worlds. Expanding on that first novel, Baxter sets his narrative 14 years later, using the Walter Jenkins character as a way to introduce a new protagonist, accompanied by an ensemble cast of interesting actors.

It’s a seamless sequel in my opinion. Yet, it’s also a brilliant extension. Baxter builds an enthralling alternative reality; Germany is still expanding its empire but WW1 doesn’t, for obvious reasons, occur. England, equally, is similar yet irrevocably different due to the first invasion. The second Martian excursion is more of an armada this time, however, and, once again, England is the target.

What follows is an occupation. Though Britain has become a politically militarised society, obsessed with the idea of protecting itself from alien intrusion. Unfortunately, the Martians are equally prepared and have learnt from their first attempt to invade Earth. Humans are no match; the army and navy is smashed and England becomes the headquarters for a larger, approaching force.

Baxter takes his time here. The occupying Martians dig in for years before attacking the rest of the planet allowing for a large set piece, trench warfare type scene. Many peripheral characters are introduced as well, including Churchill, H.G. Wells and a young Hitler along with enslaved creatures from Venus. There’s a lot at play but it isn’t until the last quarter of the book that things really get going.

As every country and continent is invaded, humans galvanise together but it’s up to our protagonist, Julie Elphinstone, to find the solution. Appealing to the ancient Jovians for assistance changes the game and, suddenly, the Martians retreat. It’s a deux machina recognised in the narrative but that isn’t the end of the matter.

Baxter’s a brilliant writer, without a doubt. The atmosphere of early 1920’s England and America is fantastically reproduced with believable characters and an even more believable alternate history. Though a slow burn in the beginning, there’s many rich rewards to be had as the plot comes to it’s unsettling conclusion.

Review copy
Published by Gollancz

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I haven’t done a ‘books in the post’ entry for some time (usually because I’m too busy reading or destroying my body by “staying fit” and grappling). But, I’ve been sent a bunch of really interesting books lately and I wanted to showcase just how many cool titles I have in the review pipeline.

Rougue One has clearly been popular in the cinema, though I doubt my wife and I will get the opportunity to watch it there. This novelisation is high on my list not only because of the movie but as I really enjoy shared world books and Star Wars immensely.

Similarly, The Massacre of Mankind by Stephen Baxter is drawing my attention. A sequel to War of the Worlds that is set 14 years after the first book, this is the story of the next invasion.

James Barclay’s latest fantasy offering, Heart of Granite has been tucked away for a while but it’s definitely peaked my fantasy interest of late. Equally, Miles Cameron’s sequel to The Red Knight is making a good argument to jump to the top of the list.

Abaddon books have been kind enough to send my The El Sombra Trilogy, a weird pulp offering from Al Ewing. The cover alone has me excited and the blurb speaks of superheroes, nazi hunting and frightening monsters…sounds awesome!

On the flip side is the evocative and enigmatic sounding Invisible Planets by Hannu Rajaniemi. A collection of exploratory short stories and different types of writing, this anthology of work has all the potential to be great.

Alex Lamb’s Roboteer had me from the first press release. A debut novel, the ideas propounded in the blurb create an enthralling premise for a sci-fi book, one I’m eager to read. And, on a similar level is Escapology by Ren Waram. A cyberpunk thriller that paints a picture of a terrifying future – it’s been on my shelf too long and definitely deserves reviewing soon.

So, now to decide which book to read first. Where do you think I should start?